Oh that hideous laughter

Author: Katarina /

SO far that has to be my biggest complaint. I almost had to cover my ears at some point for Grushenka's laughter. Oh man that was rough. It was a little too much for me. I think the film did a good job for that scene though. That and the scene where Alyosha hears about Ivan's love for Grushenka. Although I go the sense in the novel that he wasn't so open about it. Didn't he almost rejoice that he was free after Katerina's decision to continue loving Dmitry? I think they just made Ivan more open and personable in general in this film. Just as much as they made Alyosha more sullen and childlike almost in the film. That changed though when he was around Lise. I loved that part when he says he is leaving and she opens the door and juts her hand out but looks away. He just take the tips of her fingers and shakes it. Dare I say that they are cute?

Can I just say that the guy Dmitry is trying to wake up, Gorskin(?) reacts the same way to someone waking him up as I do. I don't get that long stare with the lady with the baby on the cart. Was that supposed to mean something? Have I missed something?

The scenes with Ilyucha are a little too brief and kind of thrown in there. I do like the boy's performance of the little man though. I think he is doing it spot on so far. The second captain isn't what I thought at first, but he is growing on me.

All in all why there are discrepancies and liberties taken with the characters I do like this miniseries adaptation and I will definitely watching the rest of it. I am also glad that this is something I am watching after reading the book.

The Deal is Done

Author: Katarina /

Well that's it for the business. It is completed. Except for it's not. I was turning the next page to make sure that really was the end. I wanted to know what happened. Did Dmitry really escape? Does Alyosha really leave? Does Ivan live and does Katerina finally come to her senses and love Ivan properly? I do think it is somewhat appropriate now that we revisited the foreward, because it kind of explained the ending, There was a second book planned. The answers to our questions were most likely going to be included in that book. Or maybe not. You never know with Dostoyevsky it seems. While I don't have plans to reread this novel I would have read the second one. Kind of sad we will never get to read it. Thankfully my imagination usually takes care of my curiosity by coming up with it's own ending for The Brothers.

I just want to touch upon Alyosha and Lise. First of all, I think this is something that I think might have been in the next book and I really want to find this out. Isham put out the thought that maybe Lise had come to her senses and that is why she had sent the flowers and that they must have spoken lately and made up. I don't think that sending flowers means that any of that happened. I want to believe that, because I like these two. It's just that the last time we saw her she had good moments and then turned around and lost it. How do we know this just wasn't one of her good moments?

I think there may be some significance in the fact that the little boy's body did not smell. It, of course, brought me back to the whole issue of Zosima's body and it's scandalous stench. Did Ilyucha's body not smell because he was truly innocent? Does that mean that Zosima wasn't? Or it could just likely mean that it depends on other circumstances and it may just be up to chance.


Skoto the Movie

Author: Katarina /

Okay not a movie, but a miniseries and not Skoto, but the Brothers Karamazov. I just liked the way Skoto the Movie sounded. Anyways there are two major things I like about what I've seen so far. I like the guy they have playing Grigory. I didn't think so at first, but when he is dealing with Smerdy and then when he was just standing there saying, "He was insolent to me," referring to Dmitry, I thought he made a perfet Grigory. I also like Anatoliy Belyy as Ivan. I think he shows Ivan as the odd one out as he was in the novel. Physically he is different with a different build and darker looks. Even though he is the full brother of Alyosha it was almost as if he were thought of as the half brother. Not by Alyosha of course, but by Fyodor mostly.

Of course there were a lot of discrpencies from the beginning with the boys being together as children. I didn't really like this as that would have allowed all three brothers to bond as children as that just seems like it would have changed the brotherly dynamics from the book. Fyodor in the beginning looked too clean and put toegther; not how I imagined him I must say. He is growing on me though as the chracter I picture as we go along. To be honest If I hadn't read the book and knew the story I think I would be confused with what was going on. It is a little choppy. That's to be expected I suppose if you don't want the miniseries to be 12837697 hours. (ha! I just converted that to days just to see and it's 534904 days)

So far I like the actresses playing Katya and Grushenka. Smerdyakov is slimy from the beginning and we are told right away that he is the illegitimate son of Fyodor and that he has epilepsy. Does not leave much guessing to do, but with the multitude of plots in this story I suppose there could be some taken out for times sake.

Oh and Bratya Karamazovy is available on youtube for anyone that wants to watch it if we can't finish it in class.

It's done, It's done... Save for One

Author: Katarina /

Only the Epilogue left. I don't really know how I feel about the whole thing up till now. Dmitry is not guilty.  I don't think he is anyways. That always bothers me whether it's in a book, a movie, or on the news. I imagine if that was me and I was innocent, but the system failed me and put me in jail. I hate that it happens. But okay back to Skotoprigonyevsk. By the way, it was weird seeing the narrator use the towns name again.

Someone in class asked about who the narrator is. I've never thought about it. I guess it never occurred to me that it would be someone that we were introduced to in the novel. I guess it could be Alyosha though I don't think so. Maybe Kolya when he grows up. Personally if I had to guess I would say Rakitin. He seems to know everything anyways and goes and talks to everyone getting the inside scoop. He already fancies himself a writer in the story. Although he is the type of person I think that if he was going to write something he would write himself in a more favorable light. I just prefer to not think one of the characters is narrating.

Ivan is so changed from when we first met him in the story. Well most of the characters are, but him in particular. He seemed to be more of a reserved person, high in his ideals, and very set in his ways. Now he has completely lost it and is busting up in court. If you would have thought anyone would keep his senses it would be Ivan. I guess it was Dostoyevsky's way of a curveball.

Oh and I loved how said Fyodor's name in this book : Retired titular councillor, Fyodor Pavlovich Karamazov. Seems very official for someone who made his life of being a clown.

Skotoprigonyevsk

Author: Katarina /

I was glad to get back to the Karamazovs and there happenings in the exciting town of Skotoprigonyevsk although I confess that I was wondering if we were going to get another visit from Kolya or was his purpose simply to wrap up the other little story lines from earlier on in the book? As for the name of the town (it took me ten or so tries before I could memorize it just for it not to be on the quiz) that was a shock for him just to throw it out like that with a confession that he withheld it pretty much on purpose the whole time. I knew it was going to happen sometime, because Isham said it would be coming up, but it was almost, "so oh yeah the town is Skotoprigonyevsk. tried to hide it from ya, but there ya go and yes I know it's a mouth full!" I tried to look up its meaning and got something about cattle or it's from the word skotoprigony, meaning stockyard.

Lise... She's just gone. Either that or maybe bipolar? The ups and down are just so extreme it would seem and the indecisiveness is also an indicator. I wouldn't be surprised as Dostoyevsky seems to have characters that are affected with mental illness. It also goes along with the "affect" everyone is trying to say Dmitry was under. I gotta hand it to Alysoha though I can see why he is the hero, though write now an almost unspoken one. He is loyal. He stands by his brother and is the one saying, "Actually no Dmitry didn't kill our father and I truly believe that. I will not believe you saying otherwise." It's like nowadays when just to get a case over with someone would plead to maybe a lesser charge so they won't go to court and risk something bad happening. I know, in Dmitry's case, I couldn't say I did it either. Alyosha is saving him. With his mind, he needs at least someone to believe him or otherwise he would start to convince himself that maybe everyone else was right.

Smerdyakov... Never liked him. He's like the butler you suspect from the beginning of the play. He wasn't quite right and not because he was epileptic either. I think I suspected him because of the cats. I know someone said in class about they looked up about psychopaths and it said something about torturing animals, wetting the bed, and something else. I don't know about that, but I know people like that start out with the most helpless and work their way up. They start with animals, go on the children and then the elderly and then they are confident to just go at it. The animals, manipulating Ilyusha, the murder of Fyodor. It all fits. This put is turning out to be the ultimate whodunit!

Oh and personally I think Smerdyakov is trying to get Ivan to feel the blame, because Smerdyakov used to like him, but Ivan never really considered him to be really intellectual enough. He is simply playing on the emotions of a son. Smerdyakov has always had too much power.

(On a semi funny note: I went home after class thursday so I am sitting at home writing this and I like to listen to music while I am working and what I was listening to finished, so my mother took it upon herself to put in more music. All of a sudden, Love train by the O' Jays comes on. I thought that is an hilarious soundtrack for the Karamazovs.)

Kolya the Magnificent...

Author: Katarina /

At least that is what he thinks. When I read this originally I just thought it was too fantastical. The language he uses is just too advanced. I've read books before where the character is supposed to be a kid or teenager, but they would never talk like that. But the more we talked in the class the more and more he made sense. He's just a kid that doesn't want people to know he is one. The problem is he is one and people are quite aware of that. That is pretty typical. I know when I was fourteen I didn't want to be called kid.


His relationship with the kids around him and the way he talked to adults was annoying from the start, but in class with other ideas floating around I started making sense out of it. It said in the beginning that his mother went around trying to please everyone so they would like her son, but that would have backfired by kids thinking he was a mommy's boy. That didn't work though, because he actually was a stronger kid and kind of a leader. I think it is just in his nature to be a leader, but at this odd age he realizes he has power over younger kids, so he is experimenting with that power. It has worked up till now, so that got him a little too big headed so he is taking it one step further and trying it on adults. That's why he is going around talking to the adults in the market the way he is and getting them to start thinking and arguing about nothing. The scary thing is it kind of worked in that one scene.

The biggest problem I had with the kid is him holding onto that dog that long while the kid is dying perhaps partly of guilt. Why did he wait so long? I have a hard time believing even this little booger is that vain. I suppose it's good he was starting to realize that. Also I found the whole declaration of love thing with Alyosha, to be a little weird. I mean I could see Alyosha wanting to help this kid, because that's what he does. I mean it's everything the kid hates about people, being mushy and everything.

I didn't put it at the beginning, but I can't have a post without saying it. This section is what frustrates me. We had two readings that were all about the business and the issue at hand, while with new characters of course, but you would think things would start wrapping up. I mean up till now it seemed everything happened over the course of a couple of days and now all of a sudden it's two months later? And the beginning of this book starts like a journal entry almost? I don't know it'll be interesting to see how this character fits into anything in the future or if he does at all.

Money, Money, Money: A Little Too Easy

Author: Katarina /

Every time I go to write one of these blog posts I'm stuck on repeat. I almost feel bad for anyone that reads these. I;m sure they are thinking, "Oh, now there she goes again about the same damn things." But it's just how I feel about the writing and every time a couple days go by without reading it I somehow forget what was so frustrating about it, so when I go to read again I'm frustrated all over again. Although, it does come with the territory seeing as I am just an easily annoyed person. I will give you an entirely different reason for my frustration though. This time it wasn't how her wrote it or the teasing Dostoyevsky does about future events, this time it was actually what he wrote.


In the beginning, before all these major events happened and we were just really being introduced to the characters, I wondered and we even discussed in class, if all of these was just about the money. I really stuck to this thought for a long time, but as we got deeper into the characters thoughts and reasoning, it seemed like it was more about love. To be honest I still think the emotions play a bigger role than finances. But here we find ourselves reading about Dmitry, who to be honest, has lost it and is just desperate for a little reassurance of his own humanity, arrested for his father's murder. A murder, I just don't believe he committed.

I just had a thought. We can all just blame this on Katerina. Not that I dislike her really, it's just that why did she have to entrust that sum on Dmitry in the first place. I suppose it was just wishful thinking on his part. But had she not given him the money then he would have never have went away and spent the money and then felt like a louse for doing it and try his hardest to return it. But then that's just wishful thinking on my part. I've never been particularly fond of Dmitry to be honest, but he just is very unfortunate. I don't know why he is so secretive about the money anyways. He really just made it worse for himself, as I suppose many people in his position would.

So I realize I didn't delve greatly into the events, but after reading this I kind of just sat back a moment and recapped on the opinions I have formed and abandoned over the course of this class and I would hate to have to form a circle and come back to disliking Dmitry more and money playing a bigger role than it ought. Despite my complaint I really have enjoyed this reading and I shall be glad to get back to it for next week. I can't believe we are almost done!


The business somewhat

Author: Katarina /

While I am more fond of reading this book now and am happy we are getting more into the story and learning more about the characters (even if it may contradict what we have been told in the beginning), I am still frustrated. Of course, that's not saying much being me. We seem to get some action, but are then put on ice with another character description or very detailed backstory that contains within itself moments where Dostoyevsky gives us a hint, but then says enough about that now we'll get to that later.... Well don't mention it then!


Okay now that that's out of the way...

I think the cause behind much of the action in this book to be questionable. He couldn't possibly go on with Grushenka unless he pays Katerina back? That's some sort of nonsense if you ask me. That makes as much sense as Mikhail the murderer marrying his new young wife because he thought it would make him feel better (398). I mean giving her the money back now after so much time doesn't erase the fact that he did it or the manner in which he did going off with Grushenka like that. One side of me thinks that he really does love Katerina, but then I suppose he just respects her. He is given in to the fact that he is a scoundrel, but just wants to square things off with that one person. He knows Alyosha will love him anyways, but the only other person it seems he does owe anything is to Katerina. Of course, it's ironic that he is going around to all this trouble so he can go with a clear conscience to Grushenka when she's already run off with her old lover. The question of love is kinda thrown out the window when you start to realize through their actions, not their intentions or even words, that they more or less just deserve each other.

Ah the murder has taken place has it? It only took most of the work, but I suppose we have come to the long awaited, "business." Of course this is revealed at the end of the book, so there is more to come. Very good on the part of Dostoyevsky to get you to keep reading. As frustrating as it is, it does work. Let me go on as saying that I don't think Mitya did it. Too easy a plot like for Dostoyevsky. Dmitry is in a tight spot though. I really don't know how to feel about the characters anymore. As much as they are scoundrels, idiots, and frustrating, you know that they are also victims, romantics, and the children of circumstance. I don't know how Dostoyevsky keeps track of it all and keeps going. On to the investigation!

Zosima here

Author: Katarina /

Skeleton Angel 2 Pictures, Images and Photos
This picture reminds me of when one of the monks is trying to defend Zosima's stench by saying that in a different monastery they use the color of the bones to determine holiness instead of the smell.

"Oh my dear fellow monks. So many lie, more to themselves than each other. They know the lies for what they are, but they say them anyway. If only they knew. We should all bow to each other! My dear Alyosha, such grief! The tears are good to wash away the sorrow. Soon they will cease and sweet Alyosha will be once again anew. Father Paisy will be a mentor to him as I know he has already discovered Alyosha deep within his heart as he always has been. Not a mentor within the monastery for Alyosha has work to do."

I don't know why I wrote that, but as I started reading the book for this week and finding that my guess at what would happen when Zosima died came true I wondered what Zosima would say about his fellow monks. The sheer number of monks that took up against Zosima in death does surprise me somewhat. I guess fear and superstition has always had a place in human history as it still does.

The other aspect of the book this week that jumped out at me was of course the section on Grushenka. I thought Dostoyevsky was continuing on his theme of completely turning around a character from what was previously described to us about them. I mean she does say herself that she did plan on ruining Alyosha or however she put it about swallowing him whole or something to that affect. She is flawed, as everyone is, but I got the sense before this revelation that she wasn't all that nice of a person, and she was pretty much a nuisance. I mostly based this opinion on the episode with Katerina, because lets face it... she was a classic jerk. Not that it was all one sided, but it didn't do much for my opinion of her. The fact that It was Fyodor and Dmitry who were going after her too said something. After this reading, I find her to be more of the classic Dostoyevsky romantic than a jerk. She can still be a a nuisance though when she wants to be, but shes aware of that and apparently will admit to it.

As I was reading I my attention was distracted by something so I half closed the book with my finger holding the page, so I wouldn't lose my place. As I turned back to the book I realized we are about smack dab in the middle. It makes sense seeing as we are mid-term now, but it gives me mixed emotions about the story. I half can't believe we have been reading for weeks and are only half way through. The other half though is starting to appreciate the story and the characters more. Whereas the random character descriptions were once annoying I find them almost welcome. (Key word "almost"). They give me an insight into a character. It's like Dostoyevsky is teaching us the old saying about not judging a book by its cover even if he is the one that gives us the glimpse of the cover at first and we don't know that we are going to get to read the first chapter later on. Oh Dostoyevsky... your a tricky one, but again you are somewhat growing on me (key word "somewhat").

One last note: The narrator, who I heard to be Dostoyevsky during this reading, mentions again the fact that Alyosha is the hero. Actually the wording he uses on page 426, "the principal, though also future, hero of my tale," got me thinking. He used the word "principal." I've been, perhaps unfairly, focusing on the fact that Alyosha is supposed to be the hero. He doesn't have to be the only one in this story. I don't think he is either. I wonder what will happen next.

Duels, bows, and kisses oh my!

Author: Katarina /

Just want to note that we should always end class by learning something Russian like a song or something. It's good to end on a good note. Not that anything about class is bad, but you know the subject matter in the book is sometimes intense with murders and duels and such.

Speaking of the duel. The way Zosima explained his reasoning to his friends about the duel reminded me of the way Alyosha explained the incident with the second captain and the money to Lise. They both seem to take responsibility for the events and interpret the actions of the other party involved. They seem to believe they can read the other party well enough to know how they would react even though they barely know them at all. I mean because they are important and well though of should they be allowed to act like they know what will happen? I'm not sure if there is anything here and I know the similarities with Ivan are more prominent, but when I read this I actually thought of Alyosha first.

Normally I get somewhat annoyed when we divert from the present happenings to go into a character description several sections long. This time I actually didn't mind so much. I'm still unsure of what the true purpose of Zosima is in this story other than being so high in the heart of Alyosha, but I was glad to get to know him better. I can't tell you how happy i am that we were told why Zosima bowed to Dmitry. Well we don't know what this terrible future for him is, but that was always at the back of my mind. Just one of those symbolic things that you are supposed to delve deep into and then slowly the realization develops. But no I couldn't figure it out. There is all this bowing going on anyways. Bowing and kissing.

People getting frisky in this book. Fiances kissing, brothers kissing, monks kissing floors... you name it it's getting kissed. It's almost acting as a connection of sorts. Like the brothers kissing. I know that Alyosha stole it from the Grand Inquisitor, but I kinda see it as Alyosha making a connection with a brother that was previously out of his reach. As if to seal that moment, that conversation they shared. It could not be denied. The same thing with Zosima. He kneeled and kissed the floor almost to seal his existence in this world. To make that final connection so that even if the people didn't know, the world God created knew. Not to make it trivial, but it's like when people write on desks or bathroom walls, "I was here," or, "so-and-so was here," only deeper. People want to be remembered.

To the Business!

Author: Katarina /

Sorry I had to title this in favor of a fellow classmate's frustrations, because I know where he is coming from. It is kind of annoying to have read this far and not come to the business of the story yet. I do not really give up on things. It usually doesn't matter how bad a movie or book is, because I'll usually finish it just to see how it ends. I think the only time i did give up on something it was the movie Valkyrie... enough said. Anyways, the discussion in class got me thinking whether or not if I had not been reading this for a class would I still be reading it now? I'm not really sure.

I don't really have much to say about the betrothal. We did talk about whether Lise was actually ill or not. Perhaps it is just her mothers wish for attention from the community or her wish to always have someone to take care of that has Lise in the chair. We don't know. I mentioned that it reminded me of The Secret Garden. I just wanted to explain what I meant. There is this boy in the story and his mother died and his father was so distraught that he has neglected his son and left him in the care of his housekeeper. He was deemed sickly and has been bedridden his whole life so now lacks the strength to walk. In the end the girl and her friend help the boy to walk and the father sees the error of his ways and whatnot. It isn't the only other book that this story reminds me of. Mrs. Khokhlakova and Lise really remind me of Mrs. Bennet and Lydia from Pride and Prejudice. They kinda get at each other, but then Mrs. Bennet always wants to identify with Lydia, because she seemingly wants to be young again.

The whole Ivan and his creating this image of God and Devil led me to think they were the same being in his mind. That reminded me of the whole Jekyll and Hyde story. What a weird picture though. God and the Devil as the same person, just different personalities, but that is what it seemed to me what Ivan was kind of leading towards. It makes more sense then about the world being the way it is for him. The world is good and terrible because the is created by the God personality and the terrible by the devil personality. I wonder what he would go on to say if he thought about it like that. It might have helped him, because he wasn't really asking if god exist, but how could god possibly exist if such atrocities simultaneously exist? Children are miracles are they not? How could a miracle be tortured? Think about that long enough and you might start ranting too.

Of Piety and Loofahs

Author: Katarina /

I'm not fond of Father Ferapont. I don't know what his purpose is really. It was about Father Zosima dying and then we were introduced to Ferapont all of a sudden and just as suddenly we were back to Zosima and Alyosha. In class Ferapont and Zosima were compared and people said which one they thought was more holy or which they liked better. I don't think one is more pious than the other. They just focus on separate aspects of religion. Ferapont focuses on personal salvation whereas Zosima is more focused on the forgiveness of humanity and sharing gods love. Whether either is completely successful I do not know. Zosima is more or less beloved. As everyone, he does have his critics. The big difference is that Ferapont just keeps to himself. Although you have to love Dostoyevsky.... He took a vow of slience... he speaks sometimes... okay let's have him have this really long conversation with this stranger to him... His characters do not seem to be very firm. But maybe that goes back to being Russian like when it said Grigory never struck his wife, but there was that one time.


Loofah anyone?

This new family of characters is very interesting. It almost reminds me of mine a little in the way of their communication. We just kind of say whatever no matter if its a parent to child or the reverse. Not quite as rude as Varvara though. It is interesting that there is something wrong with each of them. The mothers with bad legs, the hunchback sister and the ill boy. Dostoyevsky painted quite a picture of that boy. Biting Alyosha's finger like that and then taking off wailing down the street. It kind of came from left field a bit. Was definitely not expecting that. Ilyusha is a boy that saw his father humiliated and it is eating away at him. He just cares about his father and wants him to be avenged. His father isn't avenging himself so the boy just want to be able to do it, but is too small to battle Dmitry so he just does that in his dreams and battles the school yard children instead. The father is at odds with himself as well. He doesn't like to not defend himself but if he duels with Dmitry then his family will be left with nothing. Of course, Alyosha was fixing all that with the two hundred roubles from Katerina, but then he got all excited. ALyosha is becoming more and more a complex character. He almost seems nothing like the firs description of himself. He still critizices himself and he just turns the other cheek when other people insult him and blushes up a storm, but he doesn't seem as shy around the women and is learning about human interaction more and more. This might just be because of the level of human interaction he is getting as of late as everyone errand boy.


And where oh where is Dmitry?


Family Drama

Author: Katarina /

It wouldn't be a post of mine if I did not mention my thoughts on Dostoyevsky's writing style. Firstly, I actually laughed when after saying that he had described Grigory sufficiently he then goes on to describe him even more. I think the purpose was to give a grand entrance to the character Smerdyakov. Then of course we are promptly told that our attention must not be averted and details about him will come later. Our attention was already averted to begin with from the happenings at the monastery with this character history. Now that we have gotten into some action and drama is unfolding you would think Dostoyevsky might given in and just say everything as it unfolds instead of just leading us around more. But he just seems to be very content in his lengthy, albeit revealing, descriptions.

It was refreshing to actually go to ALoysha and his thoughts finally. Of course it's only for a moment and then he runs into Dmitry who is kind of baffling. Granted everything we know about him has come from others. This is the first time that he just one on one with Aloysha reveals his feeling. Who would have thought this guy who we were led to believe just wanted money from his father, actually just wanted love? He's a romantic. I think he really does love Katerina, but just doesn't think that he deserves her. In the end if you love somebody you want them to be happy. If you think that in the end she wouldn't be happy with you because you aren't good enough of course that would tear you up. Grushenka in the picture doesn't help. She is just the excuse Dmitry needed. She gave him an opportunity to prove to himself that he isn't good enough for Katerina. She revels in that and when it wasn't enough she went to Katerina and got the better of her too. if there is a them of bugs and animals in this book, then Grushenka is definitely the parasite.

I loved the end of this week's reading. I saw it coming from the previous reading. I think Zosima saw it too and I like to think that it might have something to with with he told Aloysha to leave for while. Aloysha is still a mystery to me. I thought we might get a better look at him, which we did somewhat. I like to see that he is growing. We learn that he thought Katerina was bad for Dmitry, but he sees that he was wrong to think that about her. I do wonder why he laughed at the end. I hope it was just because he was happy, but I don't know.

Another theme I've seen is who the boys take after. Someone in class said that they didn't believe Smerdyakov was Fyodor's son because Smerdyakov was nothing like him. The only problem I has with that is none of the sons really act like the father. They all remind me of the descriptions of the mother. Obviously Aloysha with the same religious aspect and he even burst out into the description that Fyodor was relating about an episode with his second wife. On a side note I love that Ivan reminds his father that it was his mother too. That relationship is barely ever mentioned, but even Ivan takes the religious theme with his book. Dmitry most people probably just relate to his father, but if we remember his mother was a firecracker herself and more or less a romantic I think. She just chose the wrong guy. Smerdyakov is like his mother as well. You could trust him not to steal a thing, but in the end not interested in anyone in particular and just content with their own thoughts. This leads me to think that he probably is Fyodor's son.

Humanity one at a time

Author: Katarina /

For the first half of the reading we go through everything with Miusov. The Fyodor goes on his ramblings, from which we then follow the Elder around as he visits different female visitors. It was around here that I remembered this book was supposed to be about the hero Aleksey. I suppose I'm just being impatient, but after learning about all these characters and the different sides we see, it's being to drive me nuts. I almost wish we didn't read the forward, so that we wouldn't know this is supposed to be about Aleksey.


Something did occur to me though. Part of who you are is learned in a way. You gather little quirks and thoughts that you pick up from others as you grow and learn. You end up changing these little quirks to fit your own nature and perhaps you forget where they originated from. Perhaps if it for this purpose that we go through such descriptions and antics of the other characters instead of focusing on Aleksey right away. By learning about those he is in contact with and their nature, perhaps we can learn more about Aleksey's. This also goes along with my opinion on Dostoyevsky's intentionally leading writing style.

The story about the medical man that the Elder tells on pages 78-79 was very intriguing. This book is really about humanity and it's relationships. For someone to love humanity, but not be able to stand individuals is a confusing, but not uncommon concept. I suppose it doesn't help to have people like Fyodor Pavlovich around. Although I will say this about him: at least his character hasn't changed much from the beginning. We keep getting some mixed messages about the characters particularly the brothers, but their father has pretty much always been the buffoon. He knows it too. While I still don't care for him at all I can see what others, like Maksimov, want from him. He's that friend you can only take in stages. They don't care about anything really, which in short bursts can be fun, but in the end their nature catches up with you. The whole concept though is saying that it is possible to believe in the people. To believe that they are inherently good and shall improve what they are given. As you meet people one by one, however, you are shown things that go against your belief, such as greed, ignorance, and violence. Your belief is tested and you dislike that person for doing it.

Enter the Karamazovs

Author: Katarina /

I must say that I am pretty excited about this course. I was a little intimidated when I received the book in the mail. Not by it's size, I actually love tackling large books, but by the fact that we are dedicating an entire course to this material. I've never gone into a book so far and I suppose it'll be interesting to see how I come out of it...


Meeting the Karamazovs for the first time was... actually it started with meeting Fyodor Mikhailovich and his writing style. He seemed think prefaces were unnecessary, but he said this in a preface. He went on to ask a bunch of questions people might have about his peculiar choice of hero, but then never really answered any of the questions in a way that would satisfy anybody. I suppose it did do the job he intended as you are left with a curiosity about this Aleksey Ivanovich that you may not have had otherwise.

I feel that the writing style is too over the place to not be strategic. He leads you into a "corner" of a subject just to halt you there, say that we can't address this yet, and lead you away again. Character studies aren't exactly the most exciting things, so this is actually a great way to keep a reader on his or her toes and interested in the tale.

I don't ever remember reading such a descriptive description as Dostoyevsky's about Fyodor. The physiognomy reminds me about stuff I have read regarding phrenology about facial structures and skulls that were thought to belong to those of criminal nature. By looking at a person's facial structure, you would supposedly been able to determine whether they has criminal tendencies.

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I'm not too sure about what to make of the brothers yet. One is fast, one is smart, and the other is... Well Aleksey is... angelic? Other worldly? A dreamer? Again, I am not sure what to make of them yet. I will most definitely keep you posted about their characters and about the trouble brewing between Dmitry and Fyodor, and the other brothers involvement. Can it really be all about the money?

The beginning?

Author: Katarina /

This is where I will post my take on the Brothers Karamazov. As our first gathering to discuss these interesting brothers was tonight and it is now after 10, I will wait until the morning to post my take on this class and the beginning of this "pop-up" adventure (as Isham put it).


(I feel as if I should have something here similar to Dostoyevsky's "And now to business.")...